Friday, January 15, 2016

snowflakes

by horace p sternwall

illustrated by eddie el greco and konrad kraus

editorial consultant: Prof. Dan Leo


part one of two or three





a cold, windy january morning. snow was falling and blowing outside the venerable hotel st crispian.

mortimer the elevator operator and jake the bellhop had just come off their shifts and were watching the snow from comfortable chairs in the lobby.

jake was beat from spending most of his shift shoveling the snow and wanted to rest up before heading home to his lonely room.

mortimer was in no hurry to get home and was waiting to see if the snow would stop. as usual he was ready to talk to anybody who would talk to him.


the only other occupants of the lobby were james, the day desk clerk who had just started his shift and already looked sleepy, mr nolan the house detective who was seated in his usual chair in the corner, asleep - or was he? - and pierre, one of the “continental” gentlemen from the curious menage on the eighth floor.

mortimer began expounding again on his theories of time and space. which were, briefly, that nothing existed except the lower half of the island of manhattan, and that all of human history was the same one year endlessly repeating itself.

jake had heard it all before and didn’t feel like arguing. he nodded from time to time to let mortimer think he was listening.


pierre, however, had never heard mortimer’s ideas before and seemed quite amused by them.

“no doubt,” he politely enquired of mortimer. “you have found some skepticism from those you have professed these speculations to?”

“i sure have,” mortimer agreed, happy to have someone pay any attention to his theories. “i get them from ordinary folks like you and me, maybe i should say like me, because i don’t know if you think you are ordinary - “

“that is quite all right,” pierre assured him, “i don’t consider myself at all extraordinary.”


“like i was saying, from ordinary people and from college professors and scientists and even from an archbishop who stayed here one night.”

“an archbishop! you do not say so,” pierre replied. “perhaps someday you will have the opportunity to discuss your theories with the holiness the pope. or perhaps with the eminent professor einstein.”

“i would like to,” said mortimer, “if either of those gentlemen ever stay a night here at the st crispian. but you know what i have found out, no matter who i talk to and no matter what they say?”


“what might that be?”

“sometimes what they say seems to make sense and stumps me a little. but after they’ve gone, if i think about it and think real hard, i can always come up with an answer to show i am right.”

“ah. a procedure i am sure that wise men throughout the ages have employed with satisfaction.” pierre paused, took a little flat box from his pocket, extracted a small cigar from it and lit it.

“but do you know,” he commenced after taking a puff. “i have had similar thoughts myself sometimes. not exactly the same as yours, but something along the same lines.”


mortimer had never received such a response before, and was almost too surprised to answer. “oh, yeah?” he finally managed to say.

“indeed. if you don’t mind hearing it, let me tell you a story. about something that happened to me six or seven years ago, back on the continent.”

“six or seven years ago. so you were in the war, huh?” mortimer replied.

pierre smiled. “i notice that when americans say ‘in the war’, they usually mean someone was a uniformed member of some armed force or other. i was never a member of any organized armed force.”


“you didn’t get drafted?” mortimer asked.

“drafted by whom or what? i was what you could call a stateless person. from my first memories, which took place on small fishing vessels in the meditteranean, i had absolutely no knowledge of my antecedents. as you see, i am rather dark-complexioned. i was not a chinaman or an african negro, and probably not a dane or a scotchman, but i could have been french, spanish, a gypsy, a jew, maltese, greek, arab, lebanese, a turk, any combination of those and more.” pierre waved his little cigar. “perhaps i had no ancestry. a circumstance agreeing with your thought that there is no history, eh?”

mortimer just nodded. “yeah. maybe.”


“but to get on with my story. in the early days of the hostilities, i had found myself a snug little berth in a small fishing town on the southern french coast between marseilles and toulon.

i was a waiter and man of all work in a little cafe on a back street behind the waterfront. i slept in a back room, had my meals and the owner gave me a few sous from time to time. i augmented my income in small ways as best i could.

here in america people have a very lackadaisical attitude toward what in europe is often more important than money or food - papers. i had managed to get papers - all sorts of papers, although my faith in their efficacy had yet to be tested.”


“papers - you mean like newspapers?” mortimer asked. “like the daily news or the federal-democrat?”

“you illustrate my point,” pierre smiled. “not newspapers - identification papers, to prove to police and other authorities that you exist and are who you are.”

“i don’t have any papers,” mort replied. “here in new york people just are who they are.”

“you must have a birth certificate, mort,” jake, who had been listening with one ear, put in. “and you had a draft card, right? that is all he means.”


“i had a birth certificate but my mom spilled pancake mix all over it,” said mort. “it’s a long story.”

“let the gentleman tell his story,” jake replied, with his eyes still half shut.

pierre resumed. “i fell in with a little fellow named albert, a creature from nowhere like myself, who was a passable adept at making papers. papers good enough for the authorities in our little backwater, though perhaps not for those in paris or berlin or moscow. at the time i considered albert quite a wizard. i felt though, that he needed a partner, someone to help look after his interests, especially regarding those who might have been tempted to take advantage of his frail person.”


“you were his muscle,” jake observed.

pierre smiled. “exactly.”

“there was money in it?” jake asked.

“some. albert and i traded in other things too. nothing very glamorous or involving large shipments - selling a little of this, buying a little of this. the old story, going back to the first monkey who traded two bananas for a pomegranate. it was mostly done out of the cafe. we had a bit of a regular clientele, and a few people around the town who would direct strangers our way.


so. one dark night a few months before vichy went kaput and the italians moved in, a young woman appeared at the cafe. a very ordinary looking young woman, very shabbily dressed, which was the sort of customer we liked, as not about to attract much attention. she told us she had been recommended by the concierge of the local hotel, an old and reliable ally of ours.

her story was a sad one, no less sad for the fact that we heard it every day. she had fallen in love with a handsome rascal and had followed her love to the end of the earth - probably supporting him in one way or another, though albert and i were always too polite to ask - and either the earth or some army or navy or prison had swallowed the handsome devil. and now she wished to go far away - far, far way to america or at least to morocco.


or failing that, to be provided with the papers that would allow her to seek employment in the town - any kind of employment.

after i expressed the amenities of sympathy - which cost nothing except a few minutes of time - i came to the point. the point of how she wished to pay for albert’s handiwork. often, especially with women, an offer was made to pay in future installments, after the papers were obtained and wages started coming in. would it surprise you gentlemen to learn i was not always averse to accepting such arrangements? within reason, of course. but at that time the political situation was such - with possible invasions and catastrophes of all sort on the horizon, that albert and i very much preferred something more solid - preferably really solid, not some form of paper money.


the young lady had a medium sized purse with her - one that i had noticed seemed to weigh with curious heaviness on her arm. after a slight hesitation, she reached into the purse and took out a curious object - not curious in itself so much as curious under the circumstances.”

pierre paused, and look out his box of small cigars. he offered the box to mortimer and jake, and jake took one.

after lighting jake’s cigar and his own, pierre resumed.

“the object was one of those quaint objects found in almost all bourgeois european homes - a snow globe.

a rather large snow globe, with a heavier amount of snow than usually seen in such objects, so that the most intense attention had to be concentrated on it to discern the intricate scene displayed by the figures within it.”

part 2






Monday, January 4, 2016

the golden gumdrop caper, part 12

by manfred skyline

illustrated by roy dismas and konrad kraus

originally appeared in the june through september 1956 issues of last stop - excitement magazine

editorial consultant: Prof. Dan Leo


for previous episode, click here

to begin at the beginning, click here





in our previous chapters, we met the international jewel thief stanley slade, recently recaptured after a daring escape from prison, and the notorious adventuress angie ricardo, recently sentenced to a long term in a federal penitentiary. angie has been contacted by mysterious personages, including the "thin man"... who propose to get her released, for their own purposes...,

in the four preceding chapters we met the somewhat down on his luck artist pete palomine, who approaches the art dealer and gallery owner cosima collinson with a tale of wonders... as pete tells his tale, cosima notices a suspicious character lurking outside , and calls the police...


when vorch saw the woman looking down at him from the third floor window, he waited fifteen seconds and then moved away down madison ave toward 85th st at a normal pace, keeping close to the sides of the buildings.

he had followed pete palomine to the townhouse but who knew when he might be coming out? vorch had the address and he would check up on it tomorrow to see who lived there, see if it might be useful to him in his dealing with palomine.

vorch was patient. he never hurried anything unless it was absolutely necessary.


his caution proved fortuitous. he saw a police car approaching from a block away. just cruising, with no siren or flashing lights. in response to a call from the woman in the window?

there was a narrow alley just ahead, between two townhouses. he decided not to duck into it. the police car might not spot him, but why risk looking suspicious?

he had done nothing wrong. his papers were in order, there was nothing of an incriminating nature on his person.

surely he had nothing to fear from the american police, whose courtesy and docility never ceased to amaze him. sometimes they picked you up, asked some questions, never laid a finger on you!


in any case, the police car passed him by. whether because the lone policeman in it did not see him in the shadows against the wall, or because he excited no suspicion, vorch did not know.

he did not look back. he crossed the street when he reached 85th and headed east toward park avenue.

*

with spence in the back seat, officer donnelly cruised around the block bounded by 86th st, 5th avenue, 87th st, and madison avenue. then he headed south and circled the next block , going west on 85th.


he didn’t see anybody, suspicious or otherwise. he decided to radio back.

“donnelly here. is that you, connolly?”

“this is connolly. find anything?”

“i got a suspect, of sorts.”

“of sorts? what does that mean? what sort?”

“he’s just a bum - an old friend. he’s harmless.”

“but he was outside the collinson house?”


donnelly glanced back at spence. “he was in the vicinity. but i -“

“book him.”

“i don’t know.”

“i know. just book him. book him for the night for vagrancy. so i can tell the dame we did.”

“all right.” donnelly put the receiver back on the dash. “i did what i could, old pal.” he said over his shoulder to spence.

“you didn’t try very hard. you didn’t sound very convincing,” spence answered.


“convincing! who am i, william j fallon? you wanted a speech about the rights of man? boy! some people will complain if you hang them with a brand new rope.”

spence looked out the window and sighed. “so you are taking me to the station?”

“yeah, but i didn’t say when, did i? i’ll take you down just before closing time, you can hang in the station for about half an hour and then they will let you go, how does that sound?”

“all right, i guess. so what do you want from me?”


“nothing! we’ll just talk about old times. of course anything you might tell me about anything will be appreciated, you know how it is.”

“i know how it is. you gonna buy me a cup of coffee?”

“of course. what are friends for? and a doughnut, too, what do you think of that?”

“i’m hungry, how about two doughnuts?”

“two doughnuts it is,” donnelly laughed. “you drive a hard bargain, my friend. we’ll just drive around a little first, see if we can’t find this bad man you saw.”

*


meanwhile, at the collinson townhouse, pete palomine resumed his tale:

prince joto was torn between despair at forever losing the love of green star, and a burning determination to somehow escape the mines, no matter what the odds.

sentenced to slavery in the mines, he volunteered to work in the lowest and most dangerous part of the mine being dug to the center of the earth.

there were fewer guards in the lowest depths, because it was thought impossible for anyone to escape anyway, and such guards as there were were often careless and lackadaisical. joto felt that surely this could be turned to his advantage.


so it came about that joto and five of his fellows, accompanied by a single sleepy-eyed guard, were starting to dig a new shaft, straight down into a newly discovered seam of soft rock, when joto’s pick suddenly broke through the rock, leaving a gaping black hole and sending a cascade of rock fragments descending into the depths…

joto almost fell headlong onto the hole, but barely kept his footing and was seized from behind by moro, his stoutest companion, a young man of good family who had been sentenced to the mines after killing a young imperial prince in an affair of honor.


it was long seconds before they heard some of the falling fragments echo back. it was obviously a very deep fissure, but such had been found before, and there was a protocol for dealing with them.

the guard, named buppo, did not like his routine disturbed. but with an ill grace he asked for a volunteer to go back and get a length of rope, with which one if the crew could be lowered into the hole.

perci, a slight and somewhat effeminate young man who was the object of the casual cruelties and occasional kindnesses of the crew, quickly spoke up and was sent back up the shaft to get a rope.


joto volunteered to make the descent when the rope was obtained, but was hotly disputed by moro.

“no, my friend, i insist!” cried joto. “you have done enough for this day, by rescuing me from the depths already. it is my turn now. but,” he added graciously, “on the next such occasion you may do the honors, if it please you.”

moro attempted to argue, and spewed forth a passionate declaration of love and gratitude toward joto, but joto remained smilingly adamant.


kardo, a shaggy-browed villain who was the bully of the group, crowed with laughter. “listen to these two fine specimens! you would think them still strutting around the court, with feathers in their curly hair, instead of groveling in the wormy muck of the world with such scum as us !”

joto and moro ignored him. silence enveloped the little group, undisturbed even by the usual moisture dripping from the walls.

after a while, perci returned with a suspiciously short length of rope.


buppo thrust the rope at joto. “no more talk! go, my fine hero!”

*

proceeding at his steady pace, and never looking back, vorch reached lexington avenue.

he entered a little all-night coffee shop he had frequented before. it was empty, except for the sleepy, sharp-faced woman behind the counter.

“tea, if you please,” vorch asked the woman with a slightly truculent air. he had found that americans, for some strange reason, regarded tea as somehow womanly compared to coffee - probably because there was no real tea to be found in the country.


“it will take a while,” the woman told him. “i will have to make it.”

“i am in no hurry,” vorch replied.

“want anything with it?” the woman pointed to a case with doughnuts and other pastries.

there was a selection of over a dozen items - a dozen items to choose from, in a place frequented by vagrants and beggars!

vorch pointed to what he knew was called a “danish pastry”.


“you want lemon or cherry?” the woman asked.

lemon or cherry! as if he were the archduchess of austria! “cherry, please.”

vorch was finally seated away from the window with his pitifully weak tea and his cherry pastry, when the door opened.

a young policeman entered. he had one of those smirking new york faces vorch so detested.

he was accompanied by the rabbity little fellow vorch had seen outside the townhouse on 86th street.



part 13






Thursday, December 17, 2015

the golden gumdrop caper, part 11

by manfred skyline

illustrated by roy dismas and konrad kraus

originally appeared in the june through september 1956 issues of last stop - excitement magazine

editorial consultant: Prof. Dan Leo


for previous episode, click here

to begin at the beginning, click here





in our previous chapters, we met the international jewel thief stanley slade, recently recaptured after a daring escape from prison, and the notorious adventuress angie ricardo, recently sentenced to a long term in a federal penitentiary, who has been contacted by mysterious personages, who propose to get her released, for their own purposes..., including the "thin man"...

in the three preceding chapters we met the somewhat down on his luck artist pete palomine, who approaches the art dealer and gallery owner cosima collinson with a tale of wonders...
as pete tells his tale, cosima notices a suspicious character lurking outside ...



“car 721, calling 721.”

“721, donnelly here.”

“donnelly, i hope i’m not interrupting anything.”

“i’m here, sarge, primed and ready for action.”

“you near east 86th and madison?”

“close enough. and headed that way.” donnelly began making a u-turn on third avenue as he spoke.

“call from east 86th and madison. suspicious character in the area.”


“that’s it?” donnelly straightened out on third avenue and headed north. “did this personage actually do anything suspicious?”

“he aroused a citizen’s suspicions. a rich dame. just get on it.”

“a rich dame? young or old?”

“what do you care? we serve all citizens. young or old, rich or poor.”

donnelly was approaching east 83d street. “right. this rich dame, does she have an address? or a name? do you want me to reassure her if i don’t find anything?”


“her name is collinson. she’s really rich, we’ve dealt with her before. don’t you deal with her, unless the guy is actually breaking into her house. number 17. call me, if you find anything, or if you don’t find anything. got it?”

“got it.”

the conversation was over. donnelly turned left on 83rd street.

collinson. patrolman ignatius donnelly thought he recognized the name. and suspected he knew why the police had dealt with miss collinson before.


he knew there was a collinson art gallery on 84th street. art galleries were always complaining about suspicious characters and lowlifes hanging around their premises

donnelly thought he knew a thing or two about art and still had some interest in it. in his younger days he had aspired to be an artist instead of a useful member of society, and he had studied art on the g i bill before being forced to support himself by joining new york’s finest.

he reached madison and turned north again.


he slowed down at 86th street. there was a light on on the third floor of a building on the northwest corner. he turned left and and read the number - 17.

nobody hanging around right under the streetlights. donnelly slowed the car down to walking speed.

he crawled down 86th toward 5th avenue and central park. nobody, suspicious or otherwise.

ah - there was somebody. on the right side of the street, staying close to the buildings.


donnelly pulled up beside the walking man. a skinny little guy, in a hat a size too big for him and an overcoat a size too small.

the guy knew enough not to try to ignore him. donnelly got out of the car.

“good evening, officer. or should i say good morning?” despite the crummy clothes, a “cultured” voice. and the guy didn’t sound nervous. like he was used to being stopped by the police, or he naturally felt the police were there to serve him, or maybe some combination of both.


donnely approached him, and thought he recognized him. maybe it was just because he had been reminded of art school … but, no, he did know him.

“spence. spencer sinclair spence. the third or the fourth, i can’t remember which.”

the little man started. “do i know you, officer? you … obviously know me.”

“ignatius donnelly. from mother silver’s art classes. on thirteenth street.”

“donnelly! i never… never would have recognized you. you are … um…”


“all grown up.”

“ha, ha, all grown up. i think i recall someone mentioning you had … joined the force. is that a correct expression - ‘joined the force’?

“correct enough, spence.”

spence laughed, a laugh just short of a giggle. “i recall you had a nickname… can’t quite remember it…”

“it’s best forgotten,” donnelly told him. “but it was scarface.”

“of course. scarface donnelly! how could i forget?” suddenly spence stopped laughing. “well, what can i do for this morning, officer donnelly.”


donnelly looked back up the street. “we got a call about a suspicious character. from a woman named collinson. i don’t really know, but it might be a collinson connected with the collinson art gallery. “ he turned and faced spence. “know anything about it?”

spence hesitated. “well, i have to admit i was … what you might call ‘hanging around’ the townhouse on the corner back there. but i didn’t know who lived there. i was waiting for someone who had gone in there … a fellow who owes me some money.”

donnelly let spence’s story hang in the air for a few seconds. “so you were the suspicious character.”


“no, no. do i look like a suspicious - or dangerous - character?”

“maybe not to me. maybe to a woman looking out a window at night.”

“no, no, you see… i saw a nasty looking character myself. that was why i gave up my vigil.”

“your vigil?”

“waiting for this fellow who owes me money. look, we can go back there. he is probably still there and you can verify that he does owe me money. it is actually somebody we both know quite well.”

“oh? who?”

"pete palomine.”

“palomine! that jerk!” donnelly looked back toward the townhouse.

spence laughed nervously. “yes, palomine. he has certainly left us both in the dust, hasn’t he? fame-wise, anyway.”

“and he owes you money, spence? what great sum does he owe you, that you are going to follow him and beat him up or kill him for it?”

“ha. ha! who said anything about beating him up or killing him? but i was determined to confront him.”


“and how much money was this about?”

“fifteen dollars.”

“fifteen dollars!”

“you needn’t laugh, donnelly. i am sure you can tell to look at me that… that my ships have not been coming in with any regularity. fifteen dollars would mean a lot to me right now.”

“hey, i would pick fifteen dollars up myself if it was lying in the street. so why did you leave? because you saw me coming?”


“i told you. this really scary looking bruiser showed up, on the other corner. maybe he was waiting for palomine too. anyway i got cold feet and left.”

donnelly thought for a few seconds. “tell you what, spence. why don’t you get in the car? we will drive around a little, see if we can spot this desperado. then we’ll take it from there.”

spence’s shoulders slumped. “i don’t suppose i have much choice.”

“no, you do not. listen, if all goes well maybe i will end up buying you a cup of coffee and we can talk about old times. how does that sound?"

spence sighed. “that would be very nice.”

part 12






Thursday, December 3, 2015

the golden gumdrop caper, part 10

by manfred skyline

illustrated by roy dismas and konrad kraus

originally appeared in the june through september 1956 issues of last stop - excitement magazine

editorial consultant: Prof. Dan Leo


for previous episode, click here

to begin at the beginning, click here





in our previous chapters, we met the international jewel thief stanley slade, recently recaptured after a daring escape from prison , and the notorious adventuress angie ricardo, recently sentenced to a long term in a federal penitentiary, who has been contacted by mysterious personages, who propose to get her released, for their own purposes..., including the "thin man"...

in the two preceding chapters we met the somewhat down on his luck artist pete palomine, who approaches the art dealer and gallery owner cosima collinson with a tale of wonders...



pete continued his tale:

and so the digging of the mine, to unearth the golden pearl at the center of the earth, continued apace.

and all the other preparations for the celebration of the emperor armon-mu’s one hundredth birthday continued apace.

for almost two years, no clouds of discord appeared on the vast blue horizons of the empire.

even the weather conspired to advance the general felicity, and exceptional grape harvests provided a seemingly inexhaustible flow of wine to heighten the general glow of anticipated celebration.


in the midst of all this, a series of events transpired, hardly noticed at the time, but which will have great effects on our story.

among the many princelings born to the many wives of the emperor was a certain prince joto, a youth who seemed to have nought to attract notice, except the fortunate circumstance of his birth.

it had long been the imperial custom to assign the lesser princesses and princes to marry the sons and daughters of the myriad little kings and princes and chieftains whose tiny domains were interspersed among the vast reaches of the empire.


a clerk in the imperial bureaucracy assigned prince joto to marry one of the daughters of gow, a chieftain in a remote mountain kingdom on the northern borders of gondwana.

prince joto rebelled. the thought of a life in a mountain kingdom did not appeal to him, and he was in love with a young woman who called hersellf green star and who danced and juggled in a traveling circus.

joto declared his love for the young woman, and wrote a note to the clerk informing him that he, joto, intended to marry green star and ignore the imperial edict.


the clerk ignored this and wrote back to joto giving the details of his itinerary to the mountain kingdom.

joto appealed to the lord high chamberlain and various other functionaries - there was no question of his appealing to the emperor, who was not aware of his existence - but all his entreaties, whether in the language of passion or the language of the courts, were ignored.

eventually, a retinue of imperial guards appeared at joto’s chambers. the sergeant in charge informed the young prince that they were there to escort him - either to the mountain kingdom to embrace his assigned wife, or to the imperial mines, where he could expend his body and soul in the unearthing of the golden pearl - the golden pearl of armon-mu.


it was his choice.

joto did not hesitate, and after a last passionate embrace with the beauteous green star, was led away to the mines.

this event aroused little interest among the busy citizenry of atlantis. a few minstrels composed songs about the sad affair, but among the few who listened to them, most thought a mythical romance was being celebrated.

and so it came about that prince joto was laboring in the deepest level of the mine when the cataclysm struck that marked the beginning of the end of the mighty empire.

*


at this point, pete’s recital was interrupted by williams, the butler.

“excuse, me, miss. and mister palomine.”

cosima, who had looked neither enraptured nor obviously bored by pete’s story, looked up. “what is it, williams?”

“i am sorry to interrupt, miss, but i have noticed rather a suspicious looking individual lurking outside.”

“oh? are there not always suspicious characters outside? it’s probably just one of conrad’s lowlife friends. getting up his nerve to ring the bell and put the touch on him.”


“if you will trust my judgment, miss, this fellow looks like a bit more than that. for one thing, he does not, shall we say, give off an air of indecision. and he keeps moving about, not waiting in one spot as he would be if he were waiting for someone to pick him up. always a bad sign.”

“you know i trust your judgment, williams. what do you think, pete? sound like anybody you know?”

pete had turned a little pale. “um - i - i don’t think so.”

“you don’t think so?” cosima drawled. “how about getting up and taking a look at this mystery man?”


“no need for that,” williams offered. “i can step outside and tell him to be on his way.”

“no, no! “ pete cried. “you don’t want to do that!”

cosima laughed. “so you do know who it is. don’t worry, pete. you are safe with us.”

williams turned to go, but cosima stopped him. “don’t you go, williams. i will just call the police.” she got up and went over to a telephone on a small table in a corner.


pete did not look too happy, but cosima assured him, “don’t worry, i am a collinson, the police will at least humor me.”

she dialed. “hello. police headquarters? no, it’s not exactly an emergency, but my name is cosima collinson and i live on east 86th street and i would like to speak to someone. thank you.”

after a few seconds. “yes, officer. there is a shady character lurking outside my apartments. on 505 east 86th, just off madison. it is probably nothing, but i have a guest who is a bit nervous about it… thank you so much. thank you. i believe the policeman’s ball is coming up… put me down for forty tickets. that’s c-o-s-i-m-a collinson. thank you again. good bye.”


cosima put the phone back down on the little table, and looked at pete. “that was not so difficult, was it? if you are still a little nervous, you can stay the night. williams, get the guest room ready for mister palomine, will you?”

“very good, miss.” williams slipped away.

“you still want to go on with your story?” cosima asked.

“why not?” pete managed a brave smile.

“why not, indeed? why don’t we freshen our drinks first?”



part 11